City of Bookstores
Famous in France
France’s top literary award, the Prix Goncourt, has been awarded to the French-Moroccan journalist and novelist Leïla Slimani, The New York Times reports. Slimani’s book, Chanson Douce, is loosely based on a tragic case in New York City in which two children were murdered by their caretaker. Earlier this year we reviewed another book that was a finalist for the prize, The Heart.
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“You will only ever need two good outfits.”
Fellow young people! Do you yearn to be a writer? Are you looking for advice? Well, The Guardians author Sarah Manguso has tons to give.
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Contested Accounts
After reading through two new biographies of Sylvia Plath — American Isis and Mad Girl’s Love Song — Terry Castle concludes that “nothing about her life or legacy seems wholesome or resolved.” (Related: our own Hannah Gersen talking with Pain, Parties, Work author Elizabeth Winder.)
Lost and Unpublished T.S. Eliot Prose to be Collected and Published
Scholars estimate that since T.S. Eliot’s death in 1965, “roughly 90 percent of his prose has been out of print and unavailable to literary scholars.” That will change this year with the publication of the first volume in Ronald Schuchard’s eight-volume work, The Complete Prose of T.S. Eliot.
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Tuesday New Release Day: Wallace; Libaire; Emmich; Solwitz; Maum
Out this week: Extraordinary Adventures by Daniel Wallace; White Fur by Jardine Libaire; The Reminders by Val Emmich; Once, in Lourdes by Sharon Solwitz; and Touch by Courtney Maum. For more on these and other new titles, go read our most recent book preview.
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Write / Right / Night / Owl
Kathryn Schulz’s meditation on insomnia, on staying up late and writing deep into the night.
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From Fantasy to Allegory
“Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another.” Neil Gaiman reviews Kazuo Ishiguro‘s The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro’s talk with The Telegraph about the 10 years since the publication of Never Let Me Go.