Tim Parks writes for the NYRB about writers living abroad. As he puts it, “But what about those writers who move to another country and do not change language, who continue to write in their mother tongue many years after it has ceased to be the language of daily conversation? Do the words they use grow arid and stiff? Or is there an advantage in being away from what is perhaps only the flavor of the day at home, the expressions invented today and gone tomorrow? Then, beyond specifically linguistic concerns, what audience do you write toward if you are no longer regularly speaking to people who use your language?” Pair with Hannah Gersen’s Millions piece on reading the English translation of Jhumpa Lahiri’s In Other Words.
In 1958, the Indian writer Yashpal published the first installment of This Is Not that Dawn, an eleven-hundred-page novel and feminist epic written in Hindi. The book presages many of the biggest controversies affecting India today. At Page-Turner, Karan Mahajan reads the novel, explaining why he believes it to be "the greatest long novel about India." Related: Mythilo G. Rao pays a visit to the Jaipur Literature Festival.
Book trailers are one thing, but what’s a literary short film? According to Red 14 founders Adam Cushman and Mike Sandow, “it's not advertising a product; it gives a cinematic glimpse into the book, one which will ideally make the viewer interested in learning more about the author, the author's current book, and the author's past and future work.” Together, the pair has launched a Kickstarter campaign to fund four such films about four worthy titles (Matt Bell’s awesome debut novel among them).
My "10 Best Songs Based on Books" list, from yesterday's Observer (UK), is up on the Guardian's website. Obviously it's not so much the 10 Best as the 10 Best I could think of while writing the list, but that kind of equivocation makes for terribly unsnappy titles.
Ian Crouch writes for The New Yorker about a new version of The Sun Also Rises, which gives readers a peak into Hemingway's drafts and revisions. Crouch believes that by reading these drafts carefully, one can pick out a "minor manifesto" that "conceives of a book with greater intellectual and artistic ambitions than Hemingway ever produced." In the words of Hemingway's character Jake Barnes, "Isn''t it pretty to think so?" Pair with our own review of the latest edition of The Sun Also Rises.