What would happen if you anonymously attended a book club about your own novel? Kevin Baker discovered the embarrassing consequences when a meeting on his novel Dreamland turned negative.
Book Club Blunder
Edan Lepucki Sells Her Second Novel
Congrats are in order for our own Edan Lepucki, who recently sold her second novel to Crown! Her new book, a “sly, sinister exploration of female relationships,” will come out in 2017. You could also read her and our own Bill Morris on writing their most recent novels.
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Mercury in Retrograde
“Creativity is back in the house in the second half of the month, so quit your grumbling and get back to work.” These writer horoscopes for the month of March will have you crushing through writers block and haggling over your contracts in no time.
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Literary Culture in Boston
Boston has announced the country’s first “Literary Culture District,” marked by memorials to Edgar Allen Poe and Sylvia Plath. It also includes some arguably less interesting sites – the buildings that used to house The Atlantic Monthly and Little, Brown and Company, for example. Caroline O’Donovan writes critically about the new district for The Baffler and concludes that “we’ve allowed glib cultural ideals to occlude economic realities, and tourism tax dollars to triumph over a candid conversation about the origins of art and the sustainability of its production.”
What Is Experimental Literature?
“I take to heart Percival Everett’s point that all writing begins as experiment. Experiments are hypo/theses; wagers; fermentations or useless admixtures; mud pies and blood pies.” Miranda Mellis talks with HTMLGiant’s Christopher Higgs in the next installment of Higgs’s essential “What Is Experimental Literature?” interview series. It’s worth perusing the the back catalog if you missed the first three, with the fabulous Debra Di Blasi, Danielle Dutton, and Bhanu Kapil.
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Owning It
“What I want to argue is that we in contemporary English and literature departments need to think instead about how to keep doing abstraction, but better—how can we ‘own’ it, as my students might say, rather than wish it away.” Jeanne-Marie Jackson writes at 3:AM Magazine about comparative literature, the public, and politics.
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Only once has an author been present at the book group I attend. She did not remain anonymous, and that pretty much destroyed the discussion. All the readers seemed to want to talk about was her “fame” and her “deals” and a little about her writing process. No discussion of the book at all.