Medievalist Elaine Treharne teaches a course on Beowulf at Stanford, and one of her primary theoretical questions for her students is, “What is (the) Text? … What constitutes Beowulf?” So she got to thinking. She wondered what she and her students would do “with a social media version of the poem.” What ensued is a distillation of the great epic in 100 tweets, which you can read over here.
#Beowulf
Two Two-Initialed Critics Discuss Tolkien’s Work
HTMLGiant’s A. D. Jameson went and saw part one of The Hobbit in theatres so now none of us have to do the same. Instead, sit back and check out his “250 Points” about the film. Or, if you’d prefer a blast of Tolkien analysis from the past, check out W. H. Auden’s 1956 book review of The Return of the King.
Internet Erasure
“There is a wide range of art in the world, but there is an urgent need for art that pushes us and makes us uncomfortable because it forces us to think, to question, to give into it, to resist.” Year in Reading alum Roxane Gay writes on Internet censorship and Dennis Cooper’s now deleted blog.
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Book Picker Book Picker Pick Me A Book
It’s time for NPR‘s Book Concierge again! The interactive site will help you sort the year’s releases by about a gazillion criteria, including “book club ideas” and the seriously great “seriously great writing.”
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Finish Your Novel
Sunil Yapa shares his ideas on how to find the time and money to finish a novel. Pair with Janet Potter’s Millions guide on finding the perfect title for that book in your drawer.
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The Art of Fear
At some point, Machiavelli became Machiavellian, which is to say that his personal views evolved into the self-centered credo we recognize. At Salon, an excerpt of a new biography of the writer, which digs up the formative events of his early life.
Beowulf slays monster Grendel, slays Grandel’s mother, slays a dragon, and dies. The end.