Heaven forbid someone ever draws parallels between your writing and that of “Robert Rabelais the Younger.” For his work, published in the nineteenth century, has been described as “the most appallingly bad epic poem to have ever been written in English, comprised of 384 interminable pages of doggerel verse devoid of any literary merit, an opus d’odure that screams stinkburger.” (And that’s one of the more positive evaluations.)
Kelly Barnhill, author of The Girl Who Drank the Moon, is the winner of this year’s Newbery Medal for “most outstanding contribution to children’s literature,” and Javaka Steptoe, author of Radiant Child: The Story of Young Artist Jean-Michel Basquiat, won this year’s Caldecott Medal.
Year in Reading alum Joshua Ferris has a new book on shelves this week, as does Millions contributor Porochista Khakpour. Also out: Cutting Teeth by Julia Fierro; The Possibilities by Kaui Hart Hemmings; Debbie Doesn’t Do It Anymore by Walter Mosley; The Orenda by Joseph Boyden; Snow in May by Kseniya Melnik; The Year She Left Us by Kathryn Ma; and Remember Me Like This by Bret Anthony Johnston. For more on these and other new titles, go read our Great 2014 Book Preview.
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
The MFA program at Florida Atlantic University launched Swamp Ape Review, a new national online literary journal. For their first print issue, which is set to publish next year, they’re accepting submissions from writers in South Florida, such as Martin, St. Lucie, Palm Beach, Broward, and Miami-Dade counties. For a nice primer on the journal’s namesake (or, rather, its alias), I direct your attentions to Bill Kearney.