In the Times, Jennifer Schuessler reviews Ishmael Beah’s new novel, Radiance of Tomorrow, which takes place in the same war-ravaged setting as the author’s 2007 memoir. Schuessler writes that Beah “delivers a glimpse of the hardships of postwar Sierra Leone along with strong and repeated assurances about the redemptive powers of stories themselves.”
"Maybe Gnossos, had [Richard] Fariña lived long enough for a sequel, would have wound up on a commune in Canada, nibbling feta and blissed out on retsina, exhaling paregoric joints in some lush and fragrant garden ... But he died in his twenties, like a lot of energetic young men of his era. It was the kind of romantic death we feel we understand almost too well, a promising talent suspended, that sense of exemption he wrote about—from mediocrity, from bourgeois compromise and midlife disappointment—a membrane forever intact." On the enduring joys and exuberant voice of Richard Fariña's Been Down So Long It Looks Like Up To Me.
"Why can’t we keep our literary heroes where they belong, at the top of the bookshelf next to all the others? And why must we ache for their approval, their admiration, their love?" Alex Gilvarry posts about writers who dare to approach their literary heroes for the Paris Review Daily.
You can purchase Norman Mailer’s Provincetown home for the cool price of $3.9 million. The house was previously used for the Norman Mailer Center’s Summer Writers Colony, which Millions contributor A. Igoni Barrett attended and wrote about for Electric Literature.
Audio for over 10,000 events – including concerts, poetry readings, and public interviews – is being made available on the 92nd Street Y’s new digital archive. Among the treasures in the trove are readings by Tennessee Williams, Vladimir Nabokov, and Susan Sontag. (Thanks Andrew.)
The essay is more than just a literary genre but a lifestyle, and it's dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.