“Poets ought to learn how to present work as well as produce it,” says Joe Weil, who shares some invaluable Tips for Doing a Poetry Reading. (Bonus: our own Janet Potter offers a tutorial on the appropriate way to introduce an author [or poet] before their reading.)
“The New York Times said goodbye to roughly a hundred editorial staffers, with a similar number gone from the Wall Street Journal. Condé Nast might be shuttering Details and Self and will possibly unleash a bloodbath in the fall. Time Inc., Meredith Corporation, and Prometheus Global Media—owner of the Hollywood Reporter, Billboard—and other outlets have all recently cut costs.” Noah Davis on online journalism and the current state of affairs for writers, over at The Awl. Pair with Kate Angus's essay on making money as a poet.
"I feel very transparent to myself. I'm more like an observer. I'm interested in what's going on. I'm not sure that I really have a personality," Joyce Carol Oates said in The New Yorker's micro documentary about her writing life and routine. Pair with: our essay on Oates' The Accursed.
"We can finally all agree that women want to have sex. But does that mean we experience desire in the same way that men do?" At The Atlantic, Claire Dederer discusses why it can be hard for women to write about sex. Pair with: Our own essay about writing sex scenes in literary fiction.
In the 1880s, a group of rural Illinoisans formed a Christian sect that believed that a local woman, Dorinda Beekman, was the new Jesus Christ. When Mrs. Beekman died, a follower of hers claimed that her spirit lived inside him; as the new leader of the sect, he moved his followers into a barn and named it Heaven. At The Paris Review Daily, Dan Visel looks back on this odd chapter of history, as well as the novel it inspired. (Related: Eric Shonkwiler on the literature of the Midwest.)