“Poets ought to learn how to present work as well as produce it,” says Joe Weil, who shares some invaluable Tips for Doing a Poetry Reading. (Bonus: our own Janet Potter offers a tutorial on the appropriate way to introduce an author [or poet] before their reading.)
“War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say … War can be a subject, like any other, and it can be written about well, and it can be written about poorly.” Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.