“Poets ought to learn how to present work as well as produce it,” says Joe Weil, who shares some invaluable Tips for Doing a Poetry Reading. (Bonus: our own Janet Potter offers a tutorial on the appropriate way to introduce an author [or poet] before their reading.)
At the Los Angeles Times Magazine, the answer to a bad boyfriend is to read a few good novels. Does The Talented Mr. Ripley remind you of your lover?
Do you need a pot of coffee before you dive into writing every day? You’re just procrastinating and making yourself less creative. Writer Merrill Markoe did the same thing until she discovered that working right after she wakes up leads to the best creative writing. “Words come pouring out easily while my head still feels as if it is full of ground fog, wrapped in flannel and gauze, and surrounded by a hive of humming, velvety sleep bees.”
Haruki Murakami’s latest (which we reviewed) is out this week, as is a new edition of Augustus, the 1973 National Book Award winner by Stoner author John Williams. Also out: Friendswood by Rene Steinke; The Lotus and the Storm by Lan Cao; Before, During, After by Richard Bausch; The Narrow Road to the Deep North by Richard Flanagan; and Your Face In Mine by Jess Row (which I wrote about for our Great Second-half 2014 Book Preview).