On February 17th, the University of Iowa’s International Writing Program will launch a free digital course open to everybody with an internet connection. The course is entitled “Every Atom: Walt Whitman’s Song of Myself,” and registration is now open. The course will “take a collective approach to a close reading of America’s democratic verse epic.”
A Massive Online Close Reading
Tuesday New Release Day: Gilbert, Forna, Drabble, Segal, MacFarlane, Winterson, de la Pava, Franzen
New releases this week include The Signature of All Things by Eat, Pray, Love author Elizabeth Gilbert, which you can learn more about in Steve Almond’s review for the Times. Also out: The Hired Man by Aminatta Forna; The Pure Gold Baby by Margaret Drabble; Half the Kingdom by Lore Segal; The Night Guest by Fiona MacFarlane; The Daylight Gate by Jeanette Winterson; Personae by Hall of Famer Sergio de la Pava; and The Karl Kraus Project by Jonathan Franzen.
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Flavorwire on Author Photos
From Flavorwire, another contribution to the burgeoning field of author photo analysis.
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The Future of Latin American Fiction
If you’re an enthusiast of Spanish-language literature and haven’t been following the serialization of Jorge Volpi‘s essay on “The Future of Latin American Fiction” at Three Percent, you should be.
More Moss
The new issue of Moss Magazine, “a journal of the Pacific Northwest,” is up, including an interview with Amanda Coplin, author of The Orchardist. (The previous issue featured fiction by our own Sonya Chung.)
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What We Talk About When We Talk About Books
“The [book] review’s pre-eminence is irrefutable: most people are acquainted with far, far more books through reviews than they could ever hope to read. And that is, generally, to the good.” Joseph Mackin explores why we write and read book reviews for the New York Journal of Books.
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