Recommended Viewing: Charlie Rose sits down with Donna Tartt for the author’s only American television interview since releasing her latest novel, The Goldfinch. (Related: Adam Dalva fears that Tartt may have been “following me around with her notebook in hand for the last 14 years.”)
Right on the edge of Banned Books Week, Rainbow Rowell discusses when Minneapolis’s Anoka-Hennepin school district, the county board, and the local library board censored her from coming to speak about her YA novel Eleanor & Park. “When these people call Eleanor & Park an obscene story, I feel like they’re saying that rising above your situation isn’t possible,” she says.
“Magic I think for me is kind of personal. Like, as soon as magic is in play, then I am given permission to imagine a different world, one in which magic things might happen—one where maybe I get some magic to wield if I’m lucky. Where cool stuff might happen at any given moment, cool stuff you wouldn’t even guess at. And for as long as the story holds, I’m kind of living in that world.” John Darnielle talks with Colin Winette about E.R. Eddison‘s The Worm Ouroboros, reading high fantasy and writing Wolf in White Van.
Books by Friends, a semi-regular feature at The Atlantic, sees writer James Fallows recommend the works of authors he knows. This week, he praises a book on the history of flight, a prediction for the economy and a jeremiad on American politics by Gary Hart. You could also read our own Kevin Hartnett on Fallows and American decline.
Ta-Nehisi Coates wants to make America less stupid about the Civil War. He recommends five books we should all read to gain a better understanding of American history during this war and assures us that “I’ve tried to think very hard about readability, and to offer books you might actually complete.” So no excuses, start here
A number of indie book stores, squeezed by patrons using their shelves only for research into later online purchases, are starting to charge admission for in-store readings and events, the New York Times reports.
Want a book blurb from Margaret Atwood? Expect a poem instead. Atwood has retired from the blurbing business and now declines in rhyming verse. “But now I am aging; my brain is all shrunk,/And my adjective store is depleted;/My hair’s getting stringy, I walk as though drunk;/ As a quotester I’m nigh-on defeated.” Pair with our essays on the blurbing blunder: a history of blurbs, blurbs as publicity stunts, and the fundamental question — to blurb or not to blurb?
Reddit users asked one another to name their all-time favorite poems. Not to be outdone, Poetry Brain asked its Twitter followers to name their all-time favorite poems… to read naked. Since I imagine the latter group is usually only able to read in the buff while at home, I bet they really lament the 2001 demise of Harvard’s “Phone-a-Poem” feature.