Here’s an idea you can add to the list of holiday gift ideas for the writers in your life. (Assuming the writers in your life are a pair of BFFs interested in gold-plated friendship necklaces inspired by The Great Gatsby.)
Why do great books we read as children have a more profound effect on us than great books we read as adults? It’s hard to say, but YA novelist Anne Cardi comes up with a number of reasons, among them the ability of children’s books to permanently change our viewpoints. (FYI, we asked a bunch of teenagers to recommend last year’s best YA novels.)
This week, Richard Ford published his first novel in a while to feature Frank Bascombe, the protagonist of his Pulitzer-winning book The Sportswriter. At Salon, our own Lydia Kiesling posits a through-line from Bascombe to a certain TV gangster, arguing that The Sopranos shares its view of manhood with Ford’s novels. You could also read our own Michael Bourne on Ford’s 2012 book, Canada.
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)
In order to prolong the conversation around his Atlantic cover story, “The Case for Reparations,” Ta-Nehisi Coates recently took to Twitter to engage in a Q&A session with his readers. You can scroll through the entire exchange over here. Coates was also interviewed by Ezra Klein for Vox this week, and the resulting video is probably the most valuable piece of content that site has produced since its inception.
Last week I asked “What about J.T. Leroy?” I was wondering when the Leroy hoaxers were going to come forward. Now, one of them has. Warren St. John of the New York Times got Geoffrey Knoop to come clean on the record. Knoop also said that he didn’t think Laura Albert, who wrote the Leroy books, would ever come forward: “‘For her, it’s very personal,’ he said. ‘It’s not a hoax. It’s a part of her.'”Meanwhile, PopMatters put together a special section about Leroy and James Frey. I enjoyed The Rake’s related comments on why Frey can’t hold a candle to Charles Bukowski.I saw Brokeback Mountain a few days ago and thoroughly enjoyed it. In an excerpt from Brokeback Mountain: Story to Screenplay, Annie Proulx describes what it was like seeing her story on the screen: “I felt that, just as the ancient Egyptians had removed a corpse’s brain through the nostril with a slender hook before mummification, the cast and crew of this film, from the director down, had gotten into my mind and pulled out images.” (via Maud)This Boston Globe column articulates quite precisely how I feel about the strife surrounding the cartoons of Mohammed published in a Danish newspaper.