Last semester, at UC Riverside, the novelist Susan Straight began the class “Mixed-Race Literature and the American Experience” with a simple question: “How many of you are often asked, What are you?” In an essay about the class, she relates what they learned, which includes the observation that hair is weirdly important in America. (Related: The Millions published an essay by Straight on Toni Morrison’s Sula.)
Where You From?
Cheese!
“Should we understand a photographic document as being first and foremost an artifact of memory, a light-written ghost? Or is it more important to stress its status as a material thing created from pigment, silver, emulsion, paper, plastic, glass, silicon sensors, pulses of electricity? Or is the photograph primarily an opportunity to take or make, an arena for a special type of action?” On Polaroids, instantaneous photography, and memory over at The Nation.
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Browne’s Guide to Science Writing
Want to write about science? Let Sir Thomas Browne, “17th-century know-it-all,” show you how.
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To the Wonder Trailer
The trailer is out for The Tree of Life director Terrence Malick’s latest project, To the Wonder. The film, which stars Javier Bardem, Ben Affleck, Rachel McAdams, and Olga Kurylenko, will be released in 2013.
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Mo Yan’s “Bull”
Recommended Reading: “Bull” by Mo Yan, the latest winner of the Nobel Prize for Literature.
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Real Talk
“These conversations push Leonard outside his sister’s house and put him on a course complete with time travel, an unreadable ancient text, Jewish Mysticism, and an attractive reference librarian. And here’s where the trouble starts.” On Rachel Cantor’s A Highly Unlikely Scenario.
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Your Friendly Neighborhood Crytozoologist
Martin Connelly takes a look at The International Cryptozoology Museum, which is run by Loren Coleman up in Portland, Maine. If you can’t make the pilgrimage yourself (or if you’re just put off by chupacabra taxidermy), you can also get a feel for the study of far out beasts by reading Coleman’s “genre-defining” book, Cryptozoology A to Z.
Just let it be weird.
Mark Mann on going to the gallery and looking at art: “The fact is, nobody knows what art is or why people make it. This is blatantly disturbing.”
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