You may have heard that Alice Munro couldn’t make it to Sweden to accept this year’s Nobel prize. Instead, she made a video, which you can watch in full on the Nobel Prize committee’s website. (You could also read Ben Dolnick’s beginner’s guide to her work, or else read my essay on the meaning of her win.) (h/t The Paris Review)
Recommended Reading: The Missouri Review’s poem of the week is Rose McLarney’s “Arcadia” from the fall 2013 issue. “It’s the feeling of the inquiry, ‘Don’t I know you from somewhere?,’ a traveler gets when she walks into a new place and still, somehow, recognizes a quality in a face, or can somehow hum a refrain in an otherwise strange song,” she writes about her poetry.
“Reading is a type of reckoning with the self. That may sound like a simplistic platitude, but platitudes exist only because they are true, our self-serving intellectual mirrors be damned.” Cher Tan shares a lifetime’s reading history with Catapult, tracing her trajectory from “[k]eeping up with the boys” during high school to this past year, in which she made a personal pact to read only books written by people of color. Pair with our own Nick Ripatrazone in conversation with six authors on their childhood reading.
We are all by now familiar with J.K. Rowling‘s elaborate, hand-drawn outlines for the Harry Potter series, but what if all plots could be simplified further? Down to, let’s say, graphs? And not even an infinite number of graphs, but just six? The Paris Review considers the work of Matthew Jockers, a literature professor who studies “the relationship between sentiment and plot shape in fiction.”