Janet Frame’s posthumous novel In the Memorial Room is out this week, as is a new e-book edition of Jack London’s The Sea Wolf. Also out: Ask Me: 100 Essential Poems by the onetime Poet Laureate William Stafford; a new biography of Alfred, Lord Tennyson; and the latest edition of The Best American Magazine Writing.
Tuesday New Release Day: Frame, London, Stafford, Tennyson, Bennet
“The Fall Guy”
Just when you thought we’d covered every aspect of the story of self-publishing, something like this happens. A Canadian serial killer convicted of killing six women and charged in the deaths of another twenty has self-published a memoir on Amazon in which he maintains his innocence. The papers were allegedly smuggled out of the prison by another inmate and published by a self-publishing service under a pseudonym. Amazon has since discontinued sales of the book.
None Of Us Is Out
“Her only ‘crime’ has been that she has used her ‘freedom of speech’ to attract attention to injustice, because her conscience will not allow her to remain silent.” A campaign calls for the release of Aslı Erdoğan, an acclaimed Turkish novelist currently being held by her government on nebulous charges. Also did you know: our own editor-in-chief, Lydia Kiesling, speaks Turkish?
Eliot Reflects on “Prufrock”
The 92nd Street Y has released a never-before-heard 1950 recording of T.S. Eliot reading many of his most famous poems and delivering comments on craft.
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Best Books ‘So Far’
Amazon just picked its 2011 “Best Books of the Year So Far.”
Ben Stiller’s Daydreams
Ben Stiller has taken on the fashion and film worlds before, but his next directorial effort is literary. The new trailer for The Secret Life of Walter Mitty, based on the 1939 James Thurber short story, is more Michel Gondry than Derek Zoolander.
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The Virtues of Boring
Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”