Janet Frame’s posthumous novel In the Memorial Room is out this week, as is a new e-book edition of Jack London’s The Sea Wolf. Also out: Ask Me: 100 Essential Poems by the onetime Poet Laureate William Stafford; a new biography of Alfred, Lord Tennyson; and the latest edition of The Best American Magazine Writing.
Tuesday New Release Day: Frame, London, Stafford, Tennyson, Bennet
History of Color
Over at Hyperallergic, Chris Cobb explores color photographs of racial segregation from a recently rediscovered collection by Gordon Parks.
The Real Africa
“In Colombia, Mexico, Nigeria, Mozambique, it’s the real thing, not magic, and the only way to tell these stories.” Man Booker International Prize finalist Mia Couto discusses the label “magic realism,” the death of Cecil the lion, his new novel Confession of the Lioness – one of the most anticipated books of 2015, and post-civil war Mozambique. Pair with Philip Graham’s Millions essay on Couto’s fiction.
Can Cash Money be Caro’s Next Project?
Eric Brightwell has written a great primer on “the independent years” of Cash Money Records (ca. 1991-1998). Now that the outfit has its own publishing arm, Cash Money Content, I suggest you brush up.
Populist Poetics
“What happens when everyone’s a poet?” asked Marjorie Perloff in the Boston Review. Now, Mike Chasar and Jed Rasula debate what that popularity might actually mean for contemporary poetry.
How to Get Diversity in Publishing
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House’s One World imprint on how we can actually achieve diversity in the publishing industry. “What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture.” And he shares the origin story of how he started to work with Ta-Nehisi Coates.
Another book, another ghost
Oh, ghostwriter: that poorly-paid name snuck into the “Acknowledgements” section somewhere after agent’s agent and ex-wife’s third cousin. In the middle ground between Michael D’Orso, who spoke to The Millions of job satisfaction as a hired pen, and Sari Botton, whose reminisces are full of horror stories, Andrew Croft, author of 80 books that sold 10M copies under other people’s names, offers a circumspect take in his Guardian profile. “The ghost is advised never to forget that, at the end of the day, he or she ranks somewhere between a valet and a cleaner.”