Recommended Reading: this new Eileen Myles poem in the latest issue of Poetry.
"Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?" Kazuo Ishiguro on film, and other novelists' second-favorite art forms.
Another bumper crop of books this week is led by J.K Rowling's post-Potter effort, The Casual Vacancy is on shelves, as are May We Be Forgiven by A.M. Homes, Canvas by Benjamin Stein, Panorama City by Antoine Wilson, Sutton by J.R. Moehringer, Tarun J. Tejpal's debut The Story of my Assassins. On the non-fiction side, Nate Silver's long-awaited The Signal and the Noise is here, as is Neil Young's memoir Waging Heavy Peace. New in paperback: John Warner's Funny Man (the edition includes an essay by Warner that ran on The Millions) and Emma Donoghue's blockbuster The Room.
Now that NPR has begun fact checking his work, it's come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is 'realish.' So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.
"The joy of reading about the meals of others shows that, in many ways, we are simple creatures: by merely looking upon someone else eating we can feel better fed." In the New Yorker, Bee Wilson considers the "Pleasures of the Literary Meal," something Seth Sawyers wrote about for the Millions last year.
"I used to go out in the brush sometimes,/So far out there no one could hear me,/And just burn." In the new issue of Gulf Coast, Nico Alvarado writes poems from the perspective of Friday Night Lights's Tim Riggins including "Tim Riggins Speaks of Waterfalls" and "Tim Riggins Invents a New Number."
How’s this sound: an eight-mile midnight stroll through Fire Island, replete with Socratic dialogue and references to Sappho, Pythagoras, Diogenes and Hippocrates? Such is exactly what you get from Island Night, the latest project of poet Jon Cotner (previously mentioned for his We’re Floating and Poem Forest projects). As the poet explains to the NY Times, his mission with the walks was to revive “the ancient and endangered practices of walking and talking.”