Recommended Viewing: Toni Morrison spoke with Junot Díaz at the New York Public Library last week, and the organizers were good enough to record the entire conversation and put it online. The talk begins at the 40:09 mark, so you can either fast forward or click this link right here.
io9 offers up “The Twenty Science Fiction Novels that Will Change Your Life,” from Frankenstein to Pattern Recognition. (via)Cathleen Schine on the charms of Peter CareyThe “Thomas Bernhard cult” claims a new initiate.F.O.T.M. (Friend of The Millions) Lydia Millet talks about “endangered species, the idea of motherhood, and her stint at Hustler.””Why do scribblers make drinking their second art? For one thing, it primes them for their task.” Writers and booze.Some American Studies undergrads at The University of Virginia have put together an online exhibit titled “The New Yorker Magazine in the 1930s.”NPR’s “In Character” segment considers Hawthorne’s Hester Prynne.
“Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.” Karen Karbo writes for Powell’s Books’s blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone‘s piece “Practical Art: On Teaching the Business of Creative Writing.”
“I worry that people in the city where the novel is based will take issue, all kinds of issue, with it. I worry that readers will be like who cares.” Here are all the things you should be worried about while working on a novel, helpfully brought to light by Susannah Felts at The Literary Hub.
With the preliminaries out of the way, The Morning News Tournament of books unveils its first head-to-head matchup today, Teddy Wayne’s Kapitoil versus Jonathan Franzen’s Freedom. Don’t miss the commentary that accompanies each judgment (some say it’s the best part of the whole thing.)
Emily Dickinson wrote her poetry in a house in Amherst. Mark Twain wrote many of his best works on his estate in Connecticut. And Geoffrey Chaucer, it turns out, wrote in a cramped bachelor pad, nestled in the east side of the wall surrounding London. In The Spectator, a reading of Paul Strohm’s Chaucer’s Tale, which describes a pivotal year in the poet’s life.
Before James Franco’s class began, he assigned each of his students to conceive a short film inspired by a different C.K. Williams poem about “decay, but also a sense of memory and rejuvenation.” This November, the class will travel to Detroit to shoot the movie.