“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky’s eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
The Opposite of Slouching
Grindr’s Poet in Residence
"Starting next week, I will be the gay social networking app Grindr’s first poet in residence," writes Max Wallis, author of Modern Love.
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Permeated by Violence
Ratik Asokan reviews Revulsion: Thomas Bernhard in San Salvador by Horacio Castellanos Moya, a story about dealing with the violence that permeates El Salvador’s culture. “Fiction, unlike journalism, has allowed Moya to express the frustration and existential terror of living in a society thoroughly permeated by violence.” Pair with our reviews of Moya’s Tyrant Memory and The Dream of My Return.
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They’re Burning Books
in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
“You are saying you do not exist in the American dream except as a nightmare.”
Make some time this weekend to read James Baldwin and Audre Lorde in conversation, which originally appeared in a 1984 issue of Essence, but has since been reposted by the Museum of Contemporary African Diasporan Arts.
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Not the First Ebenezer
Our own Kevin Hartnett has an interesting theory as to how Charles Dickens came up with the idea for A Christmas Carol. At The Boston Globe, he looks at the evidence that Dickens got inspiration from the amateur writings of millworkers in Massachusetts.
“An exile among exiles”
82-year-old Cuban poet Lorenzo Garcia Vega reflects upon his years of exile in the Latin American Herald Tribune.