Not only does China employ some two million censors to monitor microblogs and the internet, but the nation also has a formidable staff – both official and unofficial – to monitor literature and print publications. Indeed, reports Andrew Jacobs for The New York Times, “It is the editors at Chinese publishing houses themselves who often turn out to have the heaviest hands. ‘Self-censorship has become the most effective weapon,’ said the editor in chief of a prominent publishing house in Beijing … ‘If you let something slip through that catches the attention of a higher-up, it can be a career killer.’”
“How can we represent four hundred years of American literary history in a way that doesn’t reinforce the unfortunate hierarchies of those four hundred years?” Year in Reading alum Rebecca Makkai writes for Electric Literature about the opening of the new American Writers Museum in Chicago and what it means to curate an historical canon of letters. See also: our interview with Makkai from a couple of years back.
New York Times travel editor Monica Drake recounts visiting Antigua after reading Jamaica Kincaid’s A Small Place—a sharp critique of tourism and the colonialist narrative around the island. As she puts it, “For all the drama of its history, […] the beauty of the place, the very thing that bewitches its tourists, renders it a time capsule to its residents.”
It’s safe to say that Jorge Louis Borges could have lectured on anything from watching paint dry to waiting in line at the DMV and the end result would still have been magnificent. Here he is teaching a little Buddhism 101, with an accompanying lecture by his close friend and UC-Berkeley professor Amelia Barili.
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.