“In the aftermath of tragedies, people become obsessive, do strange things. As the tragedy recedes and is sewn up into the past, these strange things appear increasingly weird to casual observers.” At The Rumpus, our own Lydia Kiesling reviews Donna Tartt’s new novel The Goldfinch, which centers around a fictional bombing of the Metropolitan Museum of Art.
“Some very tony shop”
Balzac in the 21st Century
Thomas Piketty, author of Capital in the 21st Century, has said that he drew inspiration from the social-criticism novels of Austen, Dickens, and Balzac. According to the LA Review of Books, the new Gilded Age that Piketty critiques has generated–and will continue to generate–social novels of its own.
●
●
Sarah M. Broom on Unfinished Work
"The unfinished work is no less real, or necessary, or powerful than the book," Broom says in a recent Whiting Foundation speech.
●
●
●
Race In The Hunger Games
Anna Holmes takes a good look at Hunger Games Tweets, the Tumblr dedicated to rounding up the astonishing number of racist and culturally careless fans of Suzanne Collins’ books. Later on, she mentions a University of Wisconsin study which found that “only 9% of the 3,400 children’s books published [in 2010] contained significant cultural or ethnic diversity.”
●
●
Overhearing the Wisdom
Recommended Listening: Poet Rachel Zucker speaks with John Murillo about duende and the ethics of writing poetry.
●
●
●
●
A Very Special Bunny
“Welcome to the resistance, bunny.” Currently sold out on Amazon after topping the book charts for days, The New Yorker writes about John Oliver‘s charming children’s book, A Day in the Life of Marlon Bundo. Pair with: an essay about reconnecting with childhood favorites as a parent.
Teen Angst
In Meg Wolitzer’s new YA novel Belzhar, a group of teenagers packed off to an idyllic boarding school learn that they have the ability to undo their most serious traumas. Their discovery is sparked by a writing assignment in a class on Sylvia Plath. At Slate, Jennifer Ray Morell connects Wolitzer’s novel to Plath’s classic The Bell Jar. Related: our own Hannah Gersen’s interview with biographer Elizabeth Winder.
●
●