The popularity of Joshua Katz’s American dialect maps inspired The Atlantic to create their own dialect video. In it, Atlantic staff members call people from across the country, recording them so listeners can hear their accents, and ask them to answer questions from a 2003 Harvard survey.
Andrew O'Hagan, whose books have gotten some Booker Prize notice over the years, has a new one out (it's been out in the UK for a while now) called The Life and Opinions of Maf the Dog, and of His Friend Marilyn Monroe, which, as the title perhaps suggests, is told in the voice of Monroe's Scottish maltese poodle called Maf. Also out this week is Tom Clancy's first new "Jack Ryan" thriller in quite some time, Dead or Alive.
Rebecca Schuman argues in an essay for Slate that extraordinarily long course syllabi are killing the college classroom. If it’s academic homicide you’re after, you might also want to check out Cathy Day’s piece for The Millions in which she suggests that academia might just be killing the novel, too.
We all spend way too much time in airports this time of year, but Brad Leithauser searched for a metaphor about his journeys through BWI. As he writes for The New Yorker, "There was a piquant pleasure on the night when I first put these two experiences—morning churchgoing, evening airport-going—side by side. I’d been idly and only semi-consciously asking myself what these nocturnal intervals at B.W.I. reminded me of, and now, suddenly, I’d located my metaphor."
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
"I prefer ... to believe, in the weird and sometimes happy accidents that result—in this case—in kissing a beautiful stranger in the rain. It didn’t really change anything, but it wasn’t trivial. It was one of those encounters that rises up out of nowhere and sinks back into it, giving off light and energy as it goes." Kim Addonizio's new addition to Guernica's "The Kiss" series is fantastic and life-affirming.