If you’re tired of only getting catalogs and bills in your mailbox, ask your friends to mail their tweets. For a month, Giles Turnbull corresponded with 15 of his Twitter followers by mail. “Tweeting by post made me appreciate the online and the offline. Brevity is a good thing, but there’s no reason we should only be brief on Twitter,” Turnbull writes for The Morning News. Pair with: Our roundup of literary Twitter’s first tweets.
We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.
Get your Bloomsday fix with our James Joyce quiz. Or you can celebrate with Emily M. Keeler, The Atlantic, a BBC dramatization, and Colm Tóibín. You can also read an excerpt from Ulysses over at Berfrois. Plus there’s a ‘Ulysses Seen‘ smartphone app (which is viewable online).
Thanks to her new book, Lydia Davis is getting a lot of well-deserved attention, including an interview with Salon this week. In conversation with Brendan Matthews, she reflects on her “letters of complaint,” her habit of juggling multiple projects and the effects of translating Proust on writing emails.
“It was astonishing. Utterly astonishing. Everyone of them seemed . . . entranced by him.” Sometimes older books get a second life given contemporary contexts; such is the case with Sinclair Lewis‘s 1935 It Can’t Happen Here, reports Time. The book, which was written as Hitler came to power, has sold out online. See also this New Yorker piece about a recent stage adaptation of Lewis’s semi-satirical novel.