There are a lot of reasons to start writing poetry, but McSweeney’s gives you a list on when to put the pen down. “You were witty that one time while drinking wine at book club” is not an excuse.
Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
The Guardian has photos of A Little Life author Hanya Yanagihara‘s New York City apartment and its 12,000 – yes 12,000 – books. Pair with our interview with her from 2015: “It was the worst—the bleakest, the most physically exhausting, the most emotionally enervating—writing experience I’d had. I felt, and feared, that the book was controlling me, somehow, as if I’d somehow become possessed by it.”
The Millions turned nine years old this past weekend. I want to thank the writers, editors, and interns for another great year. And I especially want to thank our smart, passionate, and engaged readers for continuing to make The Millions such a fulfilling project for all of us.