Not Like Us
To Paraphrase Potter Stewart
“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
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“Wounded Women”
“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.
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Curiosities: The Bowflex of Bookishness
The August issue of Open Letters is available. Nestled amidst the literary fare are early Oscar nominations from Sarah Hudson and a piece on the video game The Sims by Phillip A. Lobo.Electric Literature teamed up with animator Jonathan Ashley and musician Nick DeWitt to produce an animated trailer for Jim Shepard’s “Your Fate Hurtles Down at You,” a story which appeared in the literary magazine’s first issue.BOMB Magazine has a conversation between poker buddies Nam Le and Charles D’Ambrosio.Years ago, we wrote about La Porte, Indiana, a nifty book with a connection to Found Magazine chronicling a cache of found photographs from a small town. Now the book is being made into a documentary.Nicholson Baker has written the funniest piece yet about the Kindle. Ed initially takes umbrage (and gets comments from Baker and recants somewhat). YPTR weighs in as well.Spoiler Alert: neojapansme, a provider (along with our own Ben Dooley) of quite a bit of insight into Murakami’s new (and untranslated) novel 1Q84 has published a review of the book.Millions Fans: The Millions Facebook group now has over 400 members. We’ll be asking group members to help us with some upcoming special features, so join up (if you’re into that sort of thing.)Shatner… Palin… Twitter… bongos… need we say more?
The Salman Rushdie Channel
Slate’s got a video interview with Salman Rushdie in three parts, and his speaking agency has released a rare video from one of Rushdie’s previously unrecorded talks, where the man describes writers as much more vulnerable than ideas.
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Ostentatiously Withholding Information?
A Little Life by Hanya Yanagihara is scooping up award nominations left and right. Given the relative heaping of praise, it’s interesting to hear a dissenting voice. This review from the London Review of Books offers us just that. If it’s more Yanagihara you’re after, here she is in a recent interview for The Millions.
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Afraid of Everyone
Recommended Reading: This moving essay for The Rumpus by Elizabeth Weinberg on depression and The National’s 2010 album High Violet. To satisfy any further musical urges, check out our Torch Ballads and Jukebox Music features section.
Run (and Write) Like the Wind
“But writers and runners know that when you settle into a long-distance run or hit your stride with the work, something other than your body takes over.” For LitHub, our own Nick Ripatrazone writes about the similarities between long-distance running and writing. Pair with: an essay on the poetics of running.