Are books on the way to becoming luxury objects? At Salon, Daniel D’Addario makes a case that they are, explaining how a new aestheticism in book design points to a future in which books function mainly as art objects. (While we’re on the subject of book design, it’s a good time to look back on our U.S.-U.K. book cover battle.)
“If we are now relentlessly connected, every marginal identity gaining collective recognition, becoming assimilated, ever more rapidly? If that is where we stand, then something like a stubbornly solitary voice may be welcome, even necessary, telling us that what it means to be human—and what may keep us human—is to feel alone in a strange room, with our seclusion the thing that defines and can save us.” On bearing witness to the spectacle of aloneness and the fiction of empathy.
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
Get your Bloomsday fix with our James Joyce quiz. Or you can celebrate with Emily M. Keeler, The Atlantic, a BBC dramatization, and Colm Tóibín. You can also read an excerpt from Ulysses over at Berfrois. Plus there’s a ‘Ulysses Seen‘ smartphone app (which is viewable online).
“The rest of the morning went like that. We did synchronized clapping. We did active listening. We did a role-play exercise in which I was a girl waiting for a bus and Karloff was a masher, but when I started flirting back, she didn’t like it. I got four more cups of coffee and felt brokenhearted when my bottle gave up its last drop.” Philip Marlowe attends a court-mandated women’s studies workshop.
Now that we’ve casted the film adaptation of Donna Tartt’s The Goldfinch, we’d like to turn your attention to Chimamanda Ngozie Adichie’s Americanah, which may be involved in an upcoming collaboration with Oscar winner Lupita Nyong’o. Adichie framed the possibility this way in a recent interview: “I’m going to do the mysterious thing and say that Lupita might be making an announcement very soon.”
Jonathan Lethem thinks his work is taken too seriously. “Well, I was just watching Richard Pryor, and he says, ‘When you’re dating a white woman, and people don’t like it, you can’t really pretend. You can’t go, “Oh, she’s not with me.”‘ ‘You write the big, ambitious books, right?’ Well, I guess they are,” he said in an interview with Salon. He also discusses being equated with Jonathan Franzen and his new novel, Dissident Gardens.