Guess which famous novelist and new Twitter user got 19,000 retweets for the following: “On Twitter at last, and can’t think of a thing to say. Some writer I turned out to be.” (Hint: his last name rhymes with “sing.”)
He’s at a Loss
“An opus d’odure”
Heaven forbid someone ever draws parallels between your writing and that of “Robert Rabelais the Younger.” For his work, published in the nineteenth century, has been described as “the most appallingly bad epic poem to have ever been written in English, comprised of 384 interminable pages of doggerel verse devoid of any literary merit, an opus d’odure that screams stinkburger.” (And that’s one of the more positive evaluations.)
Atwood Re-tells Shakespeare
Margaret Atwood has signed on to retell Shakespeare’s The Tempest in a new book called Hag-Seed. Check out the cover at The Bookseller. Pair with our interview with Atwood following the release of The Heart Goes Last.
●
●
The Fairy King
Ian Thompson for The Telegraph has written a fantastic, comprehensive piece on the fabulous allure of the Cuban-born, Italian writer Italo Calvino. Head back to The Millions for a couple of pieces on Calvino’s sixth memo and science fiction masterpiece, respectively.
●
●
Revisiting ‘The Decameron’ in Quarantine
Elyse Martin examines how Giovanni Boccaccio's The Decameron—a collection of "medieval Italian sex stories"—shows that storytelling is integral to our survival.
●
●
●
Tot Tales
Have you ever wondered how memoirists remember their childhoods so well when we can barely remember what we ate for breakfast this morning? Although losing your earliest memories is a common phenomenon called childhood amnesia, we’re more likely to remember childhood if we fashion it into a story.
●
●