According to a new biography of Richard Pryor, the legendary comedian kicked off his career as a teen in Peoria, Illinois, when he starred in a play based on Rumpelstiltskin and “broke the other kids up.” At The Nervous Breakdown, nine choice passages from the book.
“He hasn’t come down since”
Haiti’s Resilience: A Literary List
Yesterday marked eight years since a devastating earthquake struck Haiti and a few days ago Trump put the country back in the news (but not in an reflective or uplifting way). Looking to learn more about Haiti sans racist rhetoric? The New York Times has "three books by Haitian writers that provide insight into the country’s history of struggle and resistance." Find the list here.
Tar Pit Blues
Recommended Reading: Alexander Aciman on Canto 22 of Dante’s Inferno. (His essay is part of a series I’ve written about before.)
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Papercuts Can Be Fun Too
Our friends at Electric Literature are Kickstarting Papercuts, "a party game for the rude and well-read." We would've pledged anyway, but this pitch sealed the deal: "It’s what Kurt Vonnegut, James Baldwin, and Virginia Woolf would play if they were alive, locked in a room together, and forced to play a card game." This Cards Against Humanity for the literary set will be delivered in time for Christmas, so keep it in mind for your erudite stocking stuffer needs.
The Science of Poetry
Recommended Listening: David Naimon interviews Ursula K. Le Guin about her latest poetry collection, Late in the Day. Pair with Paul Morton’s Millions interview with the author.
An Objective Look at Seven M.F.A. Rejections
At McSweeney’s Internet Tendency, an objective look at seven M.F.A. program rejections compared to other historic rejections.
dear Danez Smith
"But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief." The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don't Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.
Problem Solving
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The Spy Who Saved Me
How did Ian Fleming come up with James Bond? It’s easy to think, considering the political context of his era, that Fleming tailored his superspy to be the ideal hero of the Cold War. Yet there’s another, more prosaic explanation -- was the author simply having a midlife crisis?