At HTML Giant, Jimmy Chen plots famous writers on two axes: Genius to Mediocrity and Arrogance to Modesty. It may offend you (or leave you feeling satisfied) to know that Tom Wolfe is the plot’s most arrogant author.
Great to Not Great
“His parents were like, ‘Robert!’ / His friends were like, ‘Bob?'”
Kick off your Monday morning with this Aaron Belz poem honoring Evel Knievel, you daredevil, you.
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Salon de Huh?
Mexican novelist and part-time literary prankster Mario Bellatin is up to his old tricks again. This time, the one-armed author/provocateur has decided to wage war against his own publisher. Bellatin claims the twentieth anniversary edition of his classic Beauty Salon was published too early and without his express consent–a brief “coda from the author” was included which Bellatin insists was nothing but a draft in progress. As such, he has been urging fans not to purchase his book.
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Everything That Rises Must Be Filmed
Recommended Listening: this episode of the Ryder + Flye podcast in which Jason Diamond and Margaret Eby discuss Southern Catholicism, 70s cinema, and why it’s so darn hard to make Flannery O’Connor’s stories work on the screen.
Update on Timbuktu’s West African Relics
Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
Barack’s Book Club
George Pelecanos is the latest worthy writer to get the Obama bump.
Full Stop Goes Partisan
Here’s a year-end series with some sharp teeth. In the spirit of The Partisan Review‘s provocative questionnaire from 1939, Full Stop is asking dozens of writers “specifically political questions”. The series began yesterday with Marilynne Robinson.
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Beyond the Individual Self
Momina Mela writes on the gendered misconceptions about confessional poetry. As she puts it, “In comparison to female confessional poets, male confessional poetry has been regarded with less ridicule as accusations of being merely therapeutic. This is often due to the detachment which occurs with the adoption of personas, even though female poets such as Anne Sexton, Sylvia Plath and even Sharon Olds integrate the use of personas in their work as well.” Also check out this Millions essay on the poetry of mental unhealth.
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