Following the recent passing of Nobel laureate Doris Lessing, The New Statesman republished the author’s London diary, first published by the magazine back in 1958.
Empirical Studies of the Class System
The Millions at the Critical Hit Awards
Hooray! Electric Literature has declared Jesse Jarnow’s Millions review of Fear of Music the winner in the category of Best Deconstruction for their occasional Critical Hit Awards.
“The only option is to participate.”
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
I Tweet Therefore I am
Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
“The reader emerges … refreshed but crippled”
Emily Gould champions Barbara Comyns‘s overlooked novels at The Awl. One more deserving mention: Comyns’s haunting Who Was Changed and Who Was Dead.
A Short History of the Executioner
In her short history of executioners, Stassa Edwards notes that the decision to replace “the traditional punishment” of drowning people “in a sack in a local river” was actually quite pragmatic: it was “more economical” to go with a simple beheading.
Death of a Reader
Now that Google Reader is nearing its official death, the people who used to depend on it are waxing nostalgic about its heyday. At Page-Turner, Joshua Rothman remembers the feeds he once relied on.
Your Local Unpaid Librarian
“They would have closed, if the community hadn’t stepped forward.” The Guardian reports on the rapidly growing number of British libraries being run by volunteers, a trend driven by austerity cuts (which Corinne Purtill wrote about in these very pages just a few weeks ago).