The cartoonist Joe Sacco has a new graphic novel out that uses a twenty-four-foot panorama to depict the first day of the Battle of the Somme. At Salon, Sacco tells Daniel D’Addario that his upbringing in Australia, where the landings at Gallipoli have great patriotic significance, helped to spur his interest in the War to End All Wars. (Related: we interviewed Sacco last year.)
Elizabeth Bishop’s Brazil. And earlier: Bishop, translation, and the transmutation of loss.
Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.
Recommended Viewing: Charlie Rose sits down with Donna Tartt for the author’s only American television interview since releasing her latest novel, The Goldfinch. (Related: Adam Dalva fears that Tartt may have been “following me around with her notebook in hand for the last 14 years.”)
in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
Chekhov never published an autobiography, but he did once write a letter in which, in Chekhovian fashion, he summed up his life in a paragraph. At The Paris Review Daily, you can read the Constance Garnett translation of this letter in full. You could also check out Brendan Mathews on reading Chekhov for self-improvement.