Matthew Jakubowski’s “experimental review” of Yoko Tawada’s Portrait of a Tongue is unlike anything you’ve read in months, and I promise you that.
An Experimental Review of an Experimental Translation
Nabokov’s Retranslation
“It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for ‘Camera Obscura’ shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)” John Colapinto looks at Nabokov‘s retranslation of Laughter in the Dark for The New Yorker.
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Purgatorio
After more than sixty years, Antonio di Benedetto has had his book Zama finally translated into English. The novel, which kicks off in the 1790s, depicts a Spanish administrator named Don Diego de Zama, whose viceroy dispatches him to a town in the scrublands of Paraguay. In the latest New Yorker, Benjamin Kunkel gives his take.
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Centireading
“You can be acquaintances with many books, and friends with a few, but family with only one or two.” On rereading the same books – in this case Hamlet and The Inimitable Jeeves – 100 times.
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Liberty is the air we breathe
The text of Salman Rushdie’s PEN World Voices lecture on liberty and censorship has been published on the New Yorker‘s website.
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Truth with a Dragon
Jeff Vandermeer writes for the Los Angeles Times about autobiographical influence in fantasy and sci-fi and argues that “there’s little or no difference in process or results compared to “normal” fiction, except that sometimes you end up with a dragon in your story and sometimes you don’t.” Pair with Alex Trivilino‘s account of “binge-reading” Vandermeer’s Southern Reach trilogy.
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“When you’re a kid, optimism is overvalued.”
Scaachi Koul’s childhood friend introduced her to Lemony Snicket’s Series of Unfortunate Events books candidly: “You’d probably like them,” she said. “They’re really depressing.” Now, in a piece for Buzzfeed, Koul explains how the works have helped her into adulthood. (Bonus: Koul’s forthcoming essay collection, One Day We’ll All Be Dead and None of This Will Matter, made our Great 2017 Book Preview.)
Please explain to me how writing a review of a book in the form of a piece of fiction is experimental. Honestly. I’m not trying to be a dick. I just don’t understand how what he wrote was experimental. I’ve read it twice and I still don’t understand.