Whether or not you knew that Rose Williams, sister of Tennessee, inspired the character of Laura Wingfield in The Glass Menagerie, you’ll probably appreciate this Paris Review elegy, which goes through Rose’s short life and the effect it had on her brother.
Out this week: My Lost Poets by Philip Levine; Orphans of the Carnival by Carol Birch; These Are the Names by Tommy Wieringa; A Poet’s Dublin by Eavan Boland; and Against Sunset by Stanley Plumly. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.
Claudia Rakine’s Citizen: An American Lyric, which won the Book Critics Circle Award for Poetry and was included in our own list of “Nine Books for the Post-Ferguson Era,” has been adapted for the stage, and previews are beginning in Los Angeles. Graywolf, the independent press behind Citizen, The Empathy Exams and On Immunity: An Inoculation, has interviewed the playwright behind the adaptation about the project and his process. As he explains it, “what makes the book—and the theatre piece—unique is that they expose and illuminate the small, sometimes unintended, and unconscious acts of everyday racism. Subtle, insidious, soul-crushing.”
As of last night, the UK has a brand new literary prize, the Folio, which its founders describe as “a Booker without the bow ties.” The Independent chronicles the short history of the prize, which owes its existence to a controversy among Man Booker judges two years ago.