Whether or not you knew that Rose Williams, sister of Tennessee, inspired the character of Laura Wingfield in The Glass Menagerie, you’ll probably appreciate this Paris Review elegy, which goes through Rose’s short life and the effect it had on her brother.
"Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity." The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
Out this week: Per Petterson's latest to hit American shores is I Curse the River of Time. Also newly released is Mona Simpson's My Hollywood. Mary Roach has another work of quirky non-fiction out, Packing for Mars: The Curious Science of Life in the Void. Young readers can now get their hands on the seventh book in the Artemis Fowl series, The Atlantis Complex. And grammar mavens have a new edition of the Chicago Manual of Style to add to their reference shelf.
Out this week: The Ancient Minstrel by Jim Harrison; Prodigals by Greg Jackson; 99 Poems: New and Selected by Dana Gioia; Blackass by A. Igoni Barrett; Work Like Any Other by Virginia Reeves; and Slow Boat to China by Kim Chew Ng. For more on these and other new titles, go read our Great 2016 Book Preview.
Over at Words Without Borders, Marguerite Feitlowitz writes on teaching the art of literary translation. As she puts it, “Bringing texts from one place to another, from one tongue, context, history, and human body to another, is itself a political act. We can tell the history of the world through the history of when major texts have been translated—and where, why, and by whom.” Pair with this Millions piece on literary translators at work.
“The day is spent for the most part in a glorious solitude. Like the hunter who moves silently through the woods to check his traps, she moves through the library, cautiously avoiding those whom she knows. A single conversation would ruin the beauty and vastness of her silence. Today no such conversation occurs and she is happy.” Good luck not reading this narration of a graduate student’s life in the voice of director Werner Herzog, now. Here’s a great Herzog Millions piece, as well.