David Foster Wallace has become an American legend in his own right, so it makes sense that he’ll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?
A Supposedly Fun Thing We Aren’t Sure About
Writing Literary Twitter
"Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?" mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.
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Heti and Didion, Chatting It Up
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Huh?
We've been discussing the changing nature of the English language a lot here this week (from the rise of public English to the acceptance of "like"), but if there is one thing that's consistent in language, it's the word "huh." Linguists have studied 31 languages that all contain the interjection, making it one of the first universal words.
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New Eggers Story
Today's second dose of recommended reading: Dave Eggers has a new short story, "The Alaska of Giants and Gods," in The New Yorker.
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The Counted
"Soon, the nail-biting hours of vote-counting start. For a Turkish citizen who does not support the AKP, casting your vote is the easy part of the process. The trickier task comes after that vote is stamped (to ensure it is real and valid): trying to make sure it is actually counted." On a new book about Erdoğan's Turkey.
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“Tough, Funny, and Sophisticated”
Sam Sacks of Open Letters Monthly offers an encomium to Pauline Kael, "one of the best movie critics - or critics of any kind - of the past century."