David Foster Wallace has become an American legend in his own right, so it makes sense that he’ll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?
A Supposedly Fun Thing We Aren’t Sure About
Language is a Passport
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
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There Goes Ten Minutes of Your Weekend
The visual wizards of Pop Chart Lab have put together yet another mind-bogglingly thorough visual taxonomy. This time, instead of cocktails or monsters, the graphic artists have turned their attention toward “The Magnificent Map of Rap Names.”
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Scaring Men
Here are a couple Halloween-related essays from the good people at The Literary Hub: This fascinating literary history of witches by Jess Bergman, and this piece by Tobias Carroll on non-fiction writers crossing the supernatural line between fantasy and reality.
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The School of Life
“There is something ersatz, if not quite fraudulent, about [Alain] de Botton’s entire intellectual enterprise.” At The Los Angeles Review of Books, Lisa Levy throws down the gauntlet.
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“You can’t be up the reader’s ass, as many a writer I think is—cute as hell, ingratiating as hell.”
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
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