Hats off to our own Edan Lepucki for being named a Face to Watch by the LA Times! In an article, David L. Ulin says Edan’s upcoming novel is “steeped in southern California narrative tradition” and describes how a drive along Sunset Boulevard inspired the setting of the book. (You can catch up on Edan’s work by looking through her archive.)
“A different order of debut”
Nit-Pick
Why does the new Liam Neeson film use a hyphen in its title? According to AP Style, “nonstop” is one word, yet the film is marketed stateside with a hyphen stuck in the middle. At Slate, L.V. Anderson looks into a typographic mystery.
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Close Reading with a Community
Follow Saturday: Poetry Brain, which is the “poetry and literature side of Rap Genius.” You may remember my last shout out for their work – it involved a certain finger being extended to the “stripped down simplicity of the Imagists.”
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Wounded
"Maybe I’m not outraged. I’m exhausted and open and exposed and a lot of other people are too because we are wounds that get picked at and picked at and picked at one day, there won’t be anything left to heal." At The Rumpus, Roxane Gay writes on the sexism and racism of Seth MacFarlane's Oscars jokes.
Tuesday New Release Day: Hill; Donohoe; Bausch; Hall & Hobbs
Out this week: The Nix by Nathan Hill; Ashes of Fiery Weather by Kathleen Donohoe; The Legend of Jesse Smoke by Robert Bausch; and Sex and Death, a new story anthology including pieces by Kevin Barry, Wells Tower and Yiyun Li. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
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“That’s some catch, that Catch-22”
Vanity Fair takes a closer look at Joseph Heller's tragicomic novel Catch-22. If you're in NYC this August, you can supplement this reading with McNally Jackson's "Ask Me About..." series.
The Year of Only Publishing Women
"When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge." And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.