Of course this is always an ongoing discussion about which books will endure, and which books are the best. Such talk is fueled by annual “Best Of” lists. But what did that conversation sound like… in 1898?
I hope you had your Wheaties this morning, because this one is a doozy. Scientists at Poland’s Institute of Nuclear Physics have discovered complex "fractal" sentence patterning in classic works of literature that is nearly identical to "ideal" mathematics. Maybe Finnegans Wake does make sense, after all.
Denise Donlon writes on the day MuchMusic rocked the tube. Peter Mansbridge details when baseball player Jackie Robinson broke the color barrier. And Conrad Black outlines a train trip by Canada’s first prime minister. Those are but a few of the essays by well-known Canadian personalities in the new book 100 Days That Changed Canada (HarperCollins Canada), now in stores.
The New York Times interviewed Colum McCann about what and who he's reading, and if you're looking for a book recommendation this piece is full of them. For more from McCann, be sure to check out his Year in Reading, our review of his novel TransAtlantic, and this reading of his soccer poem.
Vintage International released Cormac McCarthy's screenplay for The Counselor, the new Ridley Scott film which our own Nick Moran wrote about on Saturday. Also out: Quiet Dell by Jayne Anne Phillips; Identical by Scott Turow; The Last Animal by Abby Geni and The Luminaries by Booker Prize shortlister Eleanor Catton, which Martha Anne Toll reviewed for us on Monday. (For more on these and other new titles, go read our Great Second-half 2013 Book Preview.)
One consequence of creating a beloved show is that you've got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I'm not saying he can't be chagrined by Grantland or Vulture's recent TV brackets (which Simon singled out in subsequent remarks), but when he says he's "it's wearying" for people "to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time," it's a bit harder to take his side, and you feel like he hasn't watched Erlend Lavik's sophisticated and thorough video essay about The Wire's visual style. Surely analyses like this (or Žižek's, which we've mentioned before) deserve due credit.
The Economist digs into the stupid "debate" over Philip Roth's International Booker win.