Of course this is always an ongoing discussion about which books will endure, and which books are the best. Such talk is fueled by annual “Best Of” lists. But what did that conversation sound like… in 1898?
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
Eve Bowen takes a trip to “Gorey Preserved,” an exhibition of “nearly every edition of every work published by [Edward] Gorey, in addition to illustrations for dust jackets and magazines, etchings, posters, and design ephemera,” on display at Columbia University until August 10th. Those unable to attend need not fret—Bowen walk readers through a history of the prolific illustrator’s work and includes plenty of links to his drawings online.
William T. Vollmann has a new book out, Riding Toward Everywhere about riding freight trains. In what must be a first for Vollmann, the Washington Post describes the book as a “modest little volume.”The New Yorker held a contest to reinterpret Eustace Tilley, its “iconic dandy.” The entries are posted on Flickr.The anxiety brought on by selling books to the used bookstore.The Atlantic website goes free. Everything back to 1995 is available.n+1 interviews a hedge fund manager. It’s surprisingly fascinating (if you skim the technical stuff).Also in the world of big money, a record was broken on Monday. As global markets plummeted, French bank Societe Generale was selling frantically. The bank had just discovered that an employee had fraudulently lost $7.2 billion, believed to be the most ever by a “rogue trader.”
The great singer-songwriter Josh Ritter is on tour with Scott Hutchison of Frightened Rabbit. In honor of that, here’s puppet master Liam Hurley‘s video for Josh Ritter’s beautiful ballad “The Curse,” a song about a mummy falling in love with the archeologist who discovers him.