The Tide King author Jen Michalski shares a wonderfully honest account of how she managed to write her way out of the closet. “People, mostly nonwriters, are always surprised when I tell them I wrote so much growing up,” she says. “But those words, I want to tell them, weren’t written for anyone else – the audience who needed to see them and the audience for whom they were written was me.”
The second round of the Tournament of Literary Sex Writing, the aptly-named Erotic Eight, has kicked off over at The Literary Hub. This round is home to some downright ridiculous pairings (I’m looking at you, “Bram Stoker vs. James Baldwin as judged by Roxane Gay“) and the judges are as careful and attentive as ever.
“Every culture has its monsters,” and Jason Diamond writes about the Headless Horseman and one of the oldest American horror stories for Electric Literature.
Out this week: City of Secrets by Stewart O’Nan; Ladivine by Marie NDiaye; These Heroic, Happy Dead by Luke Mogelson; The Adventurist by J. Bradford Hipps; and Whosoever Has Let a Minotaur Enter Them by Emily Carr. For more on these and other new titles, go read our Great 2016 Book Preview.
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
Working with composer Michel van der Aa, David Mitchell has written an “occult opera” entitled “Sunken Garden.” Meanwhile, the former head of buying at Waterstone’s has shared the Cloud Atlas author’s list of his favorite Japanese books. (h/t Sarah Emily Duff)