Why would anyone write a book anonymously? Maria Bustillos ponders anonymity at The New Yorker. “Anonymous is more than a pseudonym. It is a stark declaration of intent: a wall explicitly thrown up, not only between writer and reader, but between the writer’s work and his life.”
“I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair.” For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad‘s interview with Bennett.
New this week is Monica Ali’s “what if” novel about Princess Diana, Untold Story. Also out is Bright’s Passage, an effort, which readers appear to be taking seriously, by singer-songwriter Josh Ritter to cross over into literary fiction. Finally, short story master Bobbie Ann Mason has a new novel out, The Girl in the Blue Beret.
“Maybe our anointed literary books just have to be earnest ones because earnest ones showcase that soupçon of intelligence. Maybe humor isn’t felt to indicate a genuine commitment to looking smart.” Year in Reading alum Lydia Millet talks with Jenny Offill about humor writing, what books are “anointed” as modern classics, and Millet’s new book, Mermaids in Paradise.