New this week: The Collected Poems of Denise Levertov; a new translation of Tolstoy’s The Death of Ivan Ilyich; and the complete letters of Sigmund Freud.
Tuesday New Release Day: Levertov; Tolstoy; Freud
Televising Literature
“Tom Stoppard isn’t shy about tackling literary giants. The British playwright has rewritten Hamlet for the stage and recently turned Tolstoy’s Anna Karenina into a Hollywood feature. But he struggled with a television adaptation of Ford Madox Ford’s sprawling modernist masterpiece Parade’s End.”
We Done Good
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An Illusion To Think So
“We always try to create the worst opinion of everything there is in the United States, as a response to what they have always done with us. The only difference is that we do not write falsehoods about the United States. I told you that we emphasize the worst things, that we omit things that could be viewed as positive, but we do not invent any lies.” This excerpted interview with Fidel Castro over at The Paris Review is enlightening for its candor and frankness.
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Setting the Bar Quite High
Believing that high quality TV dramas have supplanted silver screen blockbusters, and now rival novels as “the best way of widely communicating ideas and stories,” Salman Rushdie is set to pen a science fiction series for Showtime. The show will be called “The Next People.” Yet while he’s cited “The Wire” as a source of inspiration, the novelist also backhandedly referred to it as “just a police series.” (A stance he defended on Twitter.) Controversial? Perhaps. But still nothing compared to him calling “Game of Thrones” “very addictive garbage.” Later on, when asked by Vulture to list some of his favorite TV shows, Rushdie curiously counted “Entourage” among them.
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Going On Eleven
A new story by Hilary Mantel is always a cause for celebration. Good news: there’s one up now at the London Review of Books called “Kinsella In His Hole.” Huzzah!
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My hangovers are scheduled a year in advance.
John Waters on parents, aging, routine, gangsta rap, and WikiLeaks.