New this week: The Collected Poems of Denise Levertov; a new translation of Tolstoy’s The Death of Ivan Ilyich; and the complete letters of Sigmund Freud.
Tuesday New Release Day: Levertov; Tolstoy; Freud
“Maybe she’s building a tomb”
Tampa author Alissa Nutting has a short, strange, and untitled fiction piece up at Everyday Genius. It concerns a rapidly decomposing magazine editor who just won’t quit.
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Light Fare
Sometimes, it’s easier to read or watch something that’s light and airy, as opposed to seeking out art that challenges your perspective. Millions contributor Fiona Maazel generally thinks of herself as a person who instinctively chose nuance over breeziness. But lately, she’s had to ask herself a tough question -- is she actually more attracted to the anodyne?
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“Louisiana’s heat is inescapable and aggressive.”
The Oxford American just unlocked “Dixie Zen,” Sam Anderson’s piece on Louisiana summers. Last January, Anderson wrote one of the most popular articles in Millions history.
PEN World Voices Festival
I spent last weekend as a correspondent for the PEN World Voices Festival of International Literature. As such, I covered two events for the organization: Friday night’s ninth annual Translation Slam and Sunday afternoon’s Arthur Miller Freedom to Write Lecture featuring Sonia Sotomayor. (I also submitted a pretty sweet author photograph, if I do say so myself.) For full multimedia coverage of the entire festival, check out the PEN Live Tumblr.
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You Can’t Go Home Again (If You Understand What This Means)
The 113th anniversary of Thomas Wolfe’s birthday was last Thursday, but the author lives on in America’s cultural memory thanks to the title of his 1940 novel, You Can’t Go Home Again. Unfortunately, the titular phrase seems to be taken at face value by many people these days, and that can lead to some groan-worthy invocations. A newly-minted Tumblr blog illustrates the point.
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Writing History
Laila Lalami recently wrote about "How History Becomes Story," but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that "it is your job to force your facts into narrative form."
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