Recommended Reading: An excerpt from comedian and Year In Reading alum Rob Delaney’s memoir, Rob Delaney: Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage. “I haven’t been to war, so I can’t comment on what that experience is like, but people who go through rehab or a halfway house walk a tough road together and not all of them make it.”
Steven Soderbergh is interested in bringing The Sot-Weed Factor – John Barth’s “750-plus-page satire of picaresque novels” – to the big, silver or computer screen. You should start getting excited about this if you’re from Maryland, interested in literature, or tickled by the word “beshit.”
“Although comfortable with solitude, he admits: ‘I couldn’t write all the time. As a writer, you have to come out into the world. I don’t have a Salinger or a Pynchon impulse. There are so many things to do that are interesting.’” Talking with Ian McEwan.
Hope everyone’s holiday is going well. I’ll be putting up one or two more “Year in Reading” posts and then The Millions will most likely be dark until the New Year. But first, a couple of links:One of my favorite end of year lists is the bookfinder.com “Top 10 out of print books”: the main list and broken down into categories.Stephen King names his favorite reads of the year, including a forthcoming novel by A.M. Homes. His number one book, which he calls “the best mystery of the decade,” is LBC pick, Case Histories by Kate Atkinson.Millions Flashback: Tis the Season
The passing of Muhammad Ali was sad for fans of both sports and greatness alike. One little known Ali fact is that he once composed a line-for-line sonnet with another one of “the greatest,” the poet Marianne Moore. Let none other than George Plimpton explain it to you.
Newbery Medalist and Good Masters! Sweet Ladies! author Laura Amy Schlitz was interviewed for Publisher’s Weekly. She discussed her latest novel, Splendors and Glooms, which “allowed [Schlitz] to marry two of her passions in a single work – [Charles] Dickens and marionettes,” as well as her “half-hour, one-page trick” for writing.