“Most writers … don’t ask questions of a journalist,” writes How to Read a Novelist author John Freeman. But what of those that do? Over the course of a fifteen year career, Freeman has found that “what the novelists asked of me told me [a great deal] about them,” and that a big problem with the standard format for author interviews, after all, is that “the conventions of the interview deprive us of one thing a novelist does quite a bit, which is ask questions.” (Bonus: Freeman will be in conversation with Jennifer Egan Thursday night at McNally Jackson.)
The Thing About Author Interviews
More Authorial Car Crashes
“Camus, Car Crashes, Cinema,” a weird sequel to Bill Morris’ two lists of writers who met death by motor vehicle.
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Tabloid Fodder
“Sitting down to read The Actress, Amy Sohn’s newest novel, is even better than standing in line at the grocery store while the person in front of you disputes the price of a carton of orange juice, giving you extra time to read the tabloids. The Actress might be as licentious as a tabloid, but it is far more intelligently written. And, you probably won’t be reading it while standing in line inside a grocery store.”
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Literally crowding the text
Would you buy your way into a novel? For $900 CDN you can determine the title of Daniel Perlmutter’s next book. If that’s a little steep for ya, $15 gets one of your sentences in there.
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Viet Thanh Nguyen and the Refugee’s Narrative
Viet Thanh Nguyen discusses the complexity behind refugee narratives and resisting the temptation of shallow representation.
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It Spaketh
You might think the signs would be obvious. The buildings are organic, the sky is filled with dragons, and everyone you talk to speaks languages you’ve never heard of. But you may still need some help figuring out your environs. Herewith, a few ways to tell if you’re in a high-fantasy novel.
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