At Newsweek, Jeremy McCarter reviews The Cross of Redemption, a new anthology of James Baldwin’s previously uncollected essays and public letters: “At a time when serious people claim we live in a ‘post-racial’ society, the reappearance of Baldwin’s writing—insistent, accusatory, outraged—feels like a terrible family secret coming to light in an Ibsen play, or Banquo’s ghost showing up to spoil the party.”
“I am going to propose: The rigmarole is truly underexploited. Everyone should write a ‘Conversations with Drummond’ about themselves and about every opinion-spouting person they know. For the historical record. For revenge. For the children. Especially if you’re well-known, or right in the middle of the action, or both.” Anthony Madrid for The Paris Review looks at Ben Jonson, William Drummond, and the rigamarole.
“He represents a failure of empiricism — an unreliability arising not from the absence of rationality, but from the stubborn complexity of perception. This, I would argue, is precisely how the 2016 election went down.” In an article for The Los Angeles Review of Books, Aaron R. Hanlon argues that Cervantes’ classic provides the perfect framework for understanding contemporary America, concluding that “Don Quixote is such a player in US politics that he might as well run for office.” Our own C. Max Magee read Quixote not long after founding the site, deeming it “essential to all who wish to understand ‘the novel’ as a literary form.”
Who knew? Here’s a handy infographic from Electric Literature that highlights seventeen films you probably didn’t know were based off of books.