At The Rumpus, Kate Angus argues that salt, far from being simply a pillar of the spice trade, is in fact “the physical manifestation of the basic triad of our lives: love, work, and grief.”
The Sorrows of Lot
Shellacked Decorative Vegetables
Halloween might be over, but the season of freakishly large decorative gourds lives on. Here’s a fascinating essay from The Toast on how to raise enormous pumpkins–county fair, here we come.
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The Books Coming from Ukraine
Citing the cliché that people “only become interested in a country’s literature once we start bombing in” as his reason, Chad Post takes a close look at some recently published Ukrainian books.
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There Goes Ten Minutes of Your Weekend
The visual wizards of Pop Chart Lab have put together yet another mind-bogglingly thorough visual taxonomy. This time, instead of cocktails or monsters, the graphic artists have turned their attention toward "The Magnificent Map of Rap Names."
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Orozco Takes the Saroyan Prize
Post-40 Bloomer Daniel Orozco won Stanford’s William Saroyan International Prize for Writing this week. His story collection, Orientation, beat out a murderer’s row of adversaries including Ben Lerner’s Leaving the Atocha Station and Miroslav Penkov’s East of the West: A Country in Stories. Check out excerpts or stories from all three writers here, here, and here, respectively.
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Literary Libya
Those following this weekend's events in Tripoli will no doubt be interested in Banipal's issue dedicated to Libyan fiction. And, as Moammar Gaddafi's reign appears to be ending, the Guardian's evisceration of his short stories is worth a read. On NPR's site, Hisham Matar also explains the influence of Gaddafi's rule on Libyan writing.
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Writing Educates the Self
Alexandra Alter interviews National Book Award winner Ta-Nehisi Coates about the success of Between the World and Me. As he puts it, "The best part of writing is really to educate yourself. I don’t want to be anybody’s expert. I came in to learn." Pair with our own Sonya Chung’s Millions piece on Coates’s epistolary essay.
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Gass Goes Digital
Stephen Schenkenberg paired a previously unpublished 15,000-word essay by William H. Gass with a series of abstract photographs by Michael Eastman, and he’s released the entire package as an interactive iPad e-book.