Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.
The Marriage Plot Problem
Writ Large
“Welcome to another night in the life of Sonia Sotomayor, Supreme Court justice, current queen of the best-seller list and suddenly the nation’s most high-profile Hispanic figure. She may be a relative newcomer to national life, plucked from circuit-court obscurity less than four years ago. But the release of her new memoir, My Beloved World, suggests that she has broader ambitions than her colleagues, to play a larger and more personal role on the public stage.”
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The Stalker and the Nightgown
“Because I now know that the man who had come to the door was my mother’s stalker, I’ve injected the memory of his arrival at my childhood home with more detail than I actually possess.” From Catapult, the latest installment of “After a Fashion,” writer Esmé Weijun Wang’s monthly column examining articles of clothing she owns and the stories behind them. Consider also our review of Women In Clothes, an anthology resulting from the collaboration of authors Sheila Heti and Heidi Julavits.
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Gone Girl Gets an Amy
Rosamund Pike has been offered the role of Amy in David Fincher’s Gone Girl movie adaptation. Among the actors rumored to be in contention for supporting roles are Neil Patrick Harris and Tyler Perry. (Yes, you read that correctly.)
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“What’s today?”
Recommended Reading: James Galvin’s “Bet,” which was selected as The Missouri Review’s poem of the week.
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“Made Twilight look like War and Peace”
Herewith, an amazing takedown of Fifty Shades of Grey, spoken by none other than a horrified Salman Rushdie. If a quote like this isn’t a good reason to go to The New Yorker Festival, we don’t know what is.
Sentenced to Death
Brace yourself for disgusting, convoluted metaphors and run-on sentences. The winners of the 2012 Bulwer-Lytton Fiction Contest for the worst opening sentence to an imaginary novel have been announced.
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