Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.
Adrian Chen spoke with a former Facebook employee, and learned “how Facebook censors the dark content it doesn’t want you to see, and the people whose job it is to make sure you don’t.” In short: exploitation of “human content monitors” in the third world.
Here’s a lovely little documentary collecting interviews with various people of the book. Stephen Fowler, of The Moneky’s Paw antiquarian book shop, makes an appearance, though his remarks seem slightly less macabre in HD than those he gave to Kyo Maclear back in March. Joanne Saul, proprietor of Type Books (you know it from that stop motion video that lit up the bookternet a while back) also makes an appearance.
Chimamanda Ngozi Adichie is almost as famous for being sampled on Beyoncé’s latest album as she is for her novel Americanah. With that in mind, she discussed her writing process, hair blogs, and what feminism means to her in Elle. “It means that I am present in the world, and that I realize that there is a problem with the way we’ve constructed gender,” she said. For more Adichie, read her 2013 Year in Reading post.
Cloud Atlas author David Mitchell and his wife KA Yoshida (who have an autistic son of their own) translated the latest work from Naoki Higashida, who uses an alphabet grid to communicate. The resulting memoir from the thirteen year old boy, The Reason I Jump, is scheduled for an August release. Hari Kunzru has a sneak preview of the book’s cover.