Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.
We’ve been following the raging debate about diversity in the publishing industry, which recently re-triggered when BookExpo America released a speaker list of “29 white people and a cat” (as The Toast summed it up). The panel was rebalanced, but debate around the root issue continues: recent data indicates, for example, that while the US has become more diverse in population, the number of multicultural childrens’ books has remained flat under 10 percent for two decades. Follow the continuing debate on Twitter hashtags like #WeNeedDiverseBooks and #DiverseCanLit, or look to this helpful round-up of blogs and articles at BookRiot.
“The second prophecy was even more intense than the first one, and introduced a lot of new rules I didn’t even know existed, but everyone else seemed to kind of already know about them. But you know what? We’re a misfit band of teens who will do anything for each other now, like stand up to that town bully who’s not even scary to us anymore, now that we’ve faced pure evil and lived.” An excerpt of Mallory Ortberg’s best-selling YA novel.