Scott McClanahan is going to quit giving readings. Here’s a video of his supposed last reading ever, and like all of his readings, it’s amazing. Even if you can’t hear him live anymore, here’s his short story “Rainelle” at The Oxford American.
“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.
Last week, I wrote about the disparity between Norman Rockwell’s inner life and the cheerful art that made the painter famous. In the new issue of The Atlantic, James Parker writes about the “unconscious energy” of Rockwell’s work, while on the magazine’s website, Jennie Rothenberg Gritz republishes an old article that examines how Rockwell’s style could seem outdated even in the fifties.
New this week: Island of the Mad by Laurie Sheck; Moshi-Moshi by Banana Yoshimoto; One Man’s Dark by Maurice Manning; Kill the Next One by Federico Axat; and Loveland by Graham Norton. For more on these and other new titles, go read our latest fiction and nonfiction book previews.