“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
Writers John Keene, Dawn Martin Lundy, and others respond to the mass shooting in Orlando. “Homophobia, transphobia, and ideologically-nurtured hatreds of all kinds, coupled with semi-automatic weapons, provide the fuel for terror, in this case literally,” says Keene.
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”
“More than 30 years after her last big swim, Diana Nyad is back in the water,” writes NPR’s Greg Allen. “Nyad, a former commentator for NPR’s Morning Edition, became well-known in the 1970s for her swim around Manhattan Island and, a few years later, for swimming from the Bahamas to Florida. Now, at age 61, she’ll soon be attempting a 103-mile swim from Cuba to Key West.” Unfortunately she’s already missed Key West’s Hemingway Days.