If J.D. Salinger had it his way, we would all probably be dead by the time we got to read his unpublished works. However, someone leaked scans of a paperback entitled Three Stories, including the Catcher in the Rye precursor, “The Ocean Full of Bowling Balls,” on eBay on Wednesday. You can view the PDF here.
“It all adds up to a fascinating portrait-of-the-artist-on-the-make in the booming 1950s. And it makes you wish the stories were better.” Year-in-Reading alum Jess Walter reviews a new (911-page) collection of stories by Kurt Vonnegut. See also: “2 B R 0 2 B”, a “lost” Vonnegut story that first appeared in the sci-fi journal Worlds of If in January 1962.
George Saunders shares his thoughts on writing his first full-length novel, the forthcoming Lincoln in the Bardo. As he puts it, “It’s like when you’re writing your first book, and you’re trying to figure out what kind of writer you are. This was like that.” Pair with our own Elizabeth Minkel’s piece on Saunders and the question of literary greatness.
What would the child of The Big Lebowski characters The Dude (Jeff Bridges) and Walter Sobchak (John Goodman) look like? Maybe like Lt. Col. Django (Bridges, again), one of the characters in Grant Heslov's The Men Who Stare at Goats, set to release in November, a comedy about the U.S. military's attempt to train psychic soldiers (based on the book by Jon Ronson).
Coulrophobes take heed! You’re not scared of clowns because they’re inherently dark, or even because you caught a few minutes of Stephen King’s IT on television. In fact, you probably owe your fear of clowns to a fellow named Joseph Grimaldi, the “Homo erectus of clown evolution.” When this progenitor died in 1837, a young Charles Dickens “was charged with editing his memoirs.” The resulting portrait, relays Linda Rodriguez McRobbie, was what ultimately “water[ed] the seeds in popular imagination of the scary clown.”
"Soldiers eat beef teriyaki and chicken cavatelli M.R.E.s in a war zone where 'armored ruins' line the roads, 'charred corpses scattered in among the blasted metal'; and sniper fire and I.E.D. ambushes are a constant threat: 'the chaos out there, the crazy Arabic writing and abu-jabba jabber, the lawless traffic, the hidden danger and buzz and stray bullets and death looming from every overpass.'" Michiko Kakutani reviews Roy Scranton's War Porn for The New York Times. Here's an old review from The Millions that shares a bit of Scranton's lingering sentiment regarding the war.