Our own Emily St. John Mandel guest judged Electric Literature’s Critical Hit Awards this month. She discussed what she looks for in a book review in an interview with Brian Hurley. “I prefer reviews that go beyond talking about literature, so that the book under review is considered in the context of the surrounding world,” she said. The winners are Andrew Winer’s review of The Kraus Project by Jonathan Franzen, Rachel Monroe’s review of The Contested Murder of Latasha Harlins by Brenda Stevenson, and our own review of Karen Green’s Bough Down by Suzanne Scanlon.
Reviewing Reviews
B&N Partnership
Boston-based online retailer Wayfair.com has authored a major deal with Barnes & Noble. Wayfair, which sells 4.5 million products on its own site, is teaming up with Barnes & Noble to showcase some 500,000 toys, kitchenwares and other goods on the book giant’s site.
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Revenge of the Plumbers
Don Linn argues that despite all the excitement surrounding new business models and shiny new ereaders, 2012 will be the “revenge of the plumbers,” as the technical infrastructure needed to support the ebook boom comes into focus.
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Some Dry Reading Material
Wednesdays, right? Well, make your Hump Day a little more productive by perusing the digitized Dead Sea Scrolls. (via)
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a long foray in CG Omega
While writing by hand may be high risk work, the writer-typists among us face some tough decisions: what font should one employ? Do you need software to keep you from being distracted? Is it time yet for a distraction?
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“Geoff Dyer saw Stalker thirty years ago and hasn’t stopped returning to it.”
Millions contributor Jacob Mikanowski takes a gander at Geoff Dyer’s Zona, and he invoked both Wittgenstein and Bolaño by the third paragraph of his write-up, so you know things are about to get heady.
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Hate: Is It In You?
Meghan Daum’s written the longest and best article on “Haterade” you’ll read this month. I guarantee it.
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History Lesson – Part II
Who would have predicted, when an unassuming history of post-punk called Our Band Could Be Your Life was published in 2001, that we’d be celebrating its tenth anniversary with concert blowouts and Paris Review Daily interviews? Most anyone who read it, that’s who.
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