Recommended Reading: The Missouri Review’s poem of the week is Rose McLarney’s “Arcadia” from the fall 2013 issue. “It’s the feeling of the inquiry, ‘Don’t I know you from somewhere?,’ a traveler gets when she walks into a new place and still, somehow, recognizes a quality in a face, or can somehow hum a refrain in an otherwise strange song,” she writes about her poetry.
The Telegraph links all their reviews of Booker longlist titles from one page. If you want to get a look at these literary hotshots, there’s a photo gallery, too.Ed has read Chuck Klosterman, and he’s not very happy about it.The First Post, a new British online magazine leads with John Irving’s book reviewer-bashing.
Whether or not you’ve read Grace Paley, you’re likely to appreciate this George Saunders essay about her, which justifies his contention that she’s “one of the great writers of voice of the last century.” You could also read our own Garth Risk Hallberg’s tribute to Paley upon her death.
“Well, is ‘addiction’ what a literary writer should want in readers? And if a writer accepts such addiction, or even rejoices in it, as Murakami seems to, doesn’t it put pressure on him, as pusher, to offer more of the same?” Tim Parks writes for the NYRB about writers who keep producing more of the same to please hungry readers.
In Johns Hopkins Magazine, a remembrance of the Languages of Criticism and Sciences of Man Symposium, which brought together Jacques Lacan, Roland Barthes and Jacques Derrida, among others. About Derrida, Professor Richard Macksey (whose library you may have seen) recalls: “I’m not sure we were clear about where this guy was going.”