Recommended Reading: The Missouri Review’s poem of the week is Rose McLarney’s “Arcadia” from the fall 2013 issue. “It’s the feeling of the inquiry, ‘Don’t I know you from somewhere?,’ a traveler gets when she walks into a new place and still, somehow, recognizes a quality in a face, or can somehow hum a refrain in an otherwise strange song,” she writes about her poetry.
So does literature really have the power to bring liberals and conservatives together? Probably not. Either way, this is still a fascinating study: “The ‘most startling result was this: it was conservative — not liberal — readers who are most active in producing this space of cultural compromise.’ Basically, within this sample size, conservative readers tended to exude more generous praise for ‘bridge books’ and did so with a vernacular considered to be ‘less heated or emotional.’ Grammatically, they also expressed ‘more complex thoughts.'”
Lord of the Flies is perhaps the best example of a book that forces readers to confront how wild we are. But there’s a whole corpus of books that accomplish the same thing. In The New Statesman, Erica Wagner writes about Melissa Harrison’s At Hawthorn Time and Sarah Hall’s The Wolf Border.
As they begin preparation work on “Vacancies,” a special double-issue of their magazine, the folks at Heavy Feather Review have issued a call for writing that explores “the dimly lit corners of the unoccupied, unassuming, or idle.” For inspiration, look toward Philip Levine’s poem, “An Abandoned Factory, Detroit.”