At the Philadelphia Inquirer, neurologists look at cases where serious brain injury has actually brought about higher levels of creativity in artists, particularly where linguistic ability is harmed. “Language is the bully of the brain,” [one neurologist] says. “It takes up its own space and if something else gets crowded out, too bad.” (via Book Bench)
“If I have a critique of American letters, it’s that the average American doesn’t read broadly enough, not enough work in translation, that we’re too isolated, too narrow in our reading habits, still too locked into boxes like the one built out of white male heteronormativity.” M. Bartley Seigel, outgoing co-editor of PANK Magazine, on his impressions of American literature. Pair with our piece on the submission processes at literary magazines.
Few people have a stranger life story than Jillian Lauren. A former party girl of a royal harem in Brunei, she overcame a heroin addiction to become, among other things, a writer with two memoirs to her name. At The Nervous Breakdown, she talks about her latest book, her religious faith and her adopted Ethiopian son.
Read this interview with Mary H.K. Choi where she discusses her novel, Emergency Contact, and how it offers a more modern (2010s) portrayal of Asian American mother-daughter relationships. “Choi’s novel blows up Asian female stereotypes and prods readers to question their own cultural biases about women of color. For instance: Not all Asian moms are like Lane Kim’s in “Gilmore Girls.” Not all of them own antique shops or dry cleaners, care singularly about grades and won’t let their baby tiger cubs date until they’ve finished graduate school.”
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.