Quilting Anew
The Miserable Wonderfulness of M. Houellebecq
The second issue of Chicago’s crackerjack The Point, having thrown caution to the wind, tackles the prickly genius of Michel Houellebecq: “Houellebecq has published four novels, all of them bitter and miserable.”
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Johnny Depp and Hunter S. Thompson
When Terry Gilliam adapted Hunter S. Thompson’s Fear and Loathing in Las Vegas, Johnny Depp portrayed protagonist Raoul Duke. It became one of his most iconic roles. Now, thirteen years later, Depp will play protagonist Paul Kemp in Bruce Robinson’s adaptation of The Rum Diary. You can check out the trailer here.
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Sex Appeal
You may remember the brouhaha surrounding Bustle, the first website in history to market primarily to women. Now, in this week’s New Yorker, Lizzie Widdicombe profiles the website, which she describes by pointing out that “[its] articles are modest, but the ambitions of its founder, a young Silicon Valley entrepreneur named Bryan Goldberg, are not.”
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How to read the New Yorker this summer
Starting today and lasting until the end of the summer, The New Yorker is completely free online, including archives back to 2007. What to read? To start off, try searching the fiction page for, say, George Saunders. There’s that famous Lawrence Wright piece on Scientology. Or feel free to consult the magazine’s own roundup. But I happen to be most impressed by this grandaddy of all longform articles on six survivors of Hiroshima (subscription required).
Like a Career in the NBA
“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”
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Finnegans Draft
Ordinarily I would caution against reading a novel’s first draft, however in the case of Finnegans Wake, perhaps all rules should be tossed out the window. With this one, it seems as though any and all supplemental material might help unlock the finished product’s mysteries. Case in point: the entire first draft of Joyce’s most perplexing novel. (Of course, when all else fails, there’s always Michael Chabon to save the day.)
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Clarissa Explains It All
Recommended Reading: This piece by Adelle Waldman at The New Yorker on loving and loathing Samuel Richardson, “the man who made the modern novel.”
On Cocktails, Camaraderie, and Chaos
Times drink columnist Rosie Schaap discussed Drinking With Men in the pages of The Observer. Meanwhile, Derek Brown has some advice for bartenders across the country: for the love of all that is holy, stop inventing so many new, wild drinks!