We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
Picture Perfect
On Granta’s “Prescient” List
Recommended: Ellah Alfrey on selecting Granta’s Best of Young British Novelists.
Tuesday New Release Day: McEwan; O’Neill; Tsiolkas; Giraldi; Jones; Gluck; Goldberg; Hunt; Mandel
Out this week: The Children Act by Ian McEwan; The Dog by Joseph O’Neill; Barracuda by Christos Tsiolkas; Hold the Dark by William Giraldi; Prelude to Bruise by Saeed Jones; Faithful and Virtuous Night by Louise Glück; Gangsterland by Tod Goldberg; Happiness: Ten Years of n + 1; Neverhome by Laird Hunt; and Station Eleven by our own Emily St. John Mandel. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
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Haute Bayou
Just in time for crawfish season (and ruined outfits as a result of crawfish season), The Oxford American‘s launched its newest column, Parish Chic, brought to you by L. Kasimu Harris. It’s meant to prominently showcase the beaucoup styles on display in New Orleans, Harris’ hometown. You can read about the project’s background and inspiration over at Gambit: The Best of New Orleans.
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Hors de Texte
I would like to nominate Sam Anderson’s riff on Roland Barthes’s Mythologies for the best lede ever. I would also like to order a tee shirt for a faux boy band composed of Lacan, Derrida, Barthes and Foucault.
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Extreme Bookselling: Japanese Edition
Japanese booksellers are not content to handsell books these days. No, no. Instead, they’re drawing on architectural know-how and creative spirit in order to master “the avant-garde art of book stacking.” (Hopefully none of them experience the Mariko Aoki phenomenon.)
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A Little Bit Groupon
Last week, I relayed the news that The Circle, the upcoming novel by Dave Eggers, casts its eye on the cultish workings of a Google-esque company in California. But how Google-esque will the company be, exactly? Nick Clark takes a look at the evidence.
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“You are all going to die”
“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
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