We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
“Sometimes I fear that Midwestern authors are seen from a similar vantage point: that many of us are 'fly-over writers' to whom readers wave (or just ignore completely) as they make their way to Saul Bellow and Stuart Dybek and Marilynne Robinson. I fear that these bigger names, along with a few others (Charles Baxter, Lorrie Moore), are seen as exceptions to the general rule that little of cultural worth grows in this flat, middle stretch of the country.” On the plight of the literary Midwesterner.
It’s rare that you find someone as eclectic as William Boyd. Not only did the British writer's new play (based on two of Chekhov’s short stories) debut in London this week, his upcoming novel will star none other than James Bond. (If you're wondering, his friend Daniel Craig is not how he pictures the superspy.)
“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart