We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
This graphic account of the uncomfortable on-stage conversation between Roxane Gay and Erica Jong at this year’s Decatur Book Festival comes from MariNaomi over at Electric Literature. Here are a few essays from The Millions that also deal with race, fatherhood, and fiction.
“Think of landscape. Think of how elements come to be attached to one another, how it’s impossible to separate the road from the field, the field from the tree, the tree from the water, the water from the sky. We cannot attribute natural features to the lines we design just as we cannot attribute natural causes to those dying as they try to cross them.” For Tin House, Portuguese writer Susana Moreira Marques meditates on the concept of borders and Wolf Böwig’s photography project, “Borders and Beyond.”
The publishers Hamish Hamilton/Penguin UK have begun a "social media experiment" in which they'll use PeerIndex to single out "influencers" to review and promote books. "Influencers" will be determined by the breadth and reach of their social media presence, and they'll be selected based on their relevance to certain books. This kind of marketing is exactly what Eli Pariser warns about in The Filter Bubble. (For a quick summary, listen to his TED talk.)
"It’s fair to say Shakespeare is having a cultural moment in Asia, with a “boom” of new film adaptations and dramatic stagings," and the Royal Shakespeare Company just received 1.5 million pounds to keep that boom going by translating all of the Bard's plays into Mandarin. Melville House has the full story, and it pairs well with both this diagram of a translated book's usual lifespan and this discussion of Shakespeare's best plays.
Following the news that The Simpsons will now be available for online streaming for the first time, Myles McNutt makes the case that the world needs a Simpsons Clip Database. He justifies his sentiment by pointing out that “in a world where Simpsons references are a language for a certain generation, the ability to stream this content has tremendous value, and could push use of an app that otherwise would struggle to compete with services like Netflix.”