Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”
“Wallace’s fiction contains enormous cruelty… But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves.” Chris Power considers David Foster Wallace‘s short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.
Is Sergio de la Pava‘s A Naked Singularity the first great self-published novel of the new century? Aren’t you at least a little bit curious?
Catapult.co, a new literary website and publisher from the founders of Electric Literature and Black Balloon Publishing, has debuted online this week. It features stories by Padgett Powell and Joy Williams, and a remarkable essay about living in New York by Alexander Chee.
“[T]hat might be what liberal readers needs right now: Not just portraits of the Brexit and Trump-voting domestic Other, but a clearer sense of their own worldview’s limits, blind spots, blunders and internal contradictions.” The New York Times‘s Ross Douthat assembles a “Books for the Trump Era” reading list, including Michel Houellebecq’s Submission, Christopher Lasch‘s The Revolt of the Elites and the Betrayal of Democracy, and Samuel P. Huntington‘s Who Are We? The Challenges to American National Identity. You can also read our own review of Houellebecq’s latest here.
As if the ebook juggernaut didn’t already have enough steam behind it, The Washington Post says that, “perusing electronically will lighten your environmental impact.” You see, “every time you download and read an electronic book, rather than purchasing a new pile of paper, you’re paying back a little bit of the carbon dioxide and water deficit from the Kindle production process.”