Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”
“What does it look like to be the child of war? A product of war? What does it look like to be a queer child from a very traditional Confucian family? How does one feel to pay homage to a family but to also, in a way, betray those familial values?” Kaveh Akbar interviews Ocean Vuong about linguistic identity, syntax, and the American gaze for Divedapper.
“Publishers, writers, and readers alike really need to sit down and take this trend [the rise of self-publishing] seriously, rather than using the poetry.coms and AuthorHouses of the world as straw-men, scapegoats, piñatas, or other bludgeonable what-have-yous in the same tired and ineffectual arguments about how the Internet is ruining the publishing industry.”
“Many of the most powerful characters in our best-loved stories are orphaned, adopted, fostered, or found. At the same time, many of the most powerless citizens in our society are orphaned, adopted, or fostered children, and the marginalized adults that so many become. Why have so few of us even noticed this centuries-old disparity?” On literature’s most celebrated protagonists, from Oliver Twist to Anne of Green Gables.
It’s not surprising when a graduate student claims to “live in the library,” but an NYU student really does live in the university’s Elmer Holmes Bobst Library. For only $225 a semester, the student rents library cubbies instead of an apartment. The idea isn’t as crazy as it sounds, though, but is a response to the skyrocketing rent in the neighborhood.